IntelliPaper
Abstract
This article focuses on the touristic stereoscopic images present in the photographs collection of Brazil´s Emperor, D. Pedro II. Firstly, we will present the concept of "stereoscopic tour" and its diffusion in nineteenth-century modernity. From the constitution of the Emperor's Collection, we will address its importance for the construction of an ideal of nation and for the emperor's image himself as a "monarch-citzen". Finally, we discuss the role occupied by tourist stereoscopies in the collection, their uses and functions and the possible relationships between them and the trips undertaken by this tropical monarch.
Explore Digital Article Text
Article file ID not found.
Conflict of Interest
The authors declare no conflict of interest.
Ethical Approval
Not applicable
Data Availability
The datasets used in this study are openly available at [repository link] and the source code is available on GitHub at [GitHub link].
Funding
This work did not receive any external funding.
Cite this article
Related Research
